In the Singapore gallery, ARNDT aims to create a prolific juxtaposition by placing Indonesian artists in the same arena with artists from Germany and America, to demonstrate elective affinities or the kindred choices of today. Jumaldi Alfi born in Lintau, West Sumatra, Indonesia; lives and works in Yogyakarta is the co-founder and a member of the Jendela Art Group who in the early phase of their artistic career, dealing with themes which were distanced from socio-political issues as well as from artwork which capitalized on sophistication of a painterly execution of realist paintings, surprised their audience. Alfi will conduct a visual dialogue with Martin Kippenberger through their self-reflective oeuvres. Kippenberger produced a rich and diverse body of work from the mid s until his untimely death at the age of 44 and is now regarded as one of the most influential artists of his time.
In the Singapore gallery, ARNDT aims to create a prolific juxtaposition by placing Indonesian artists in the same arena with artists from Germany and America, to demonstrate elective affinities or the kindred choices of today. Jumaldi Alfi born in Lintau, West Sumatra, Indonesia; lives and works in Yogyakarta is the co-founder and a member of the Jendela Art Group who in the early phase of their artistic career, dealing with themes which were distanced from socio-political issues as well as from artwork which capitalized on sophistication of a painterly execution of realist paintings, surprised their audience.
Alfi will conduct a visual dialogue with Martin Kippenberger through their self-reflective oeuvres. Kippenberger produced a rich and diverse body of work from the mid s until his untimely death at the age of 44 and is now regarded as one of the most influential artists of his time.
He was a master appropriator who consistently absorbed, challenged and transformed the world around him. His work draws on Psychologen halten dating-seiten fur untauglich culture, art, architecture, music, politics, history and his own life — where no subject remained sacred.
Fendry Ekel born in Jakarta, Indonesia; lives and works in Amsterdam, Berlin and Yogyakartaexplores the dark side of human ambition in his paintings.
Often painted after black and white photographs which depict portraits and architecture, he investigates the use of art, architecture, and figuration as a means of propaganda for ideologies and confronts himself where the border of ethical and aesthetical values crossover, through his monumental, layered canvases. In Kindred by Choice 1, the artist, whose subject matter is at times, remnants of events occurring in the past, will have a conversation with Andy Warhol.
Ekel appropriates images from our collective memory, as Warhol has in his famed prints, as if to conjure up memories of these frozen moments or personalities within the walls of our gallery space.
His work was created in his studio, called the Factory, which became a hang-out for artists, actors, and musicians. He creates paintings and installations which combine Javanese mythology with personal and public memories.
Through his work, Entang casts a critical eye on multiple issues including international politics, environmental issues, and stereotypes prevalent in cultures. Entang will face Daniel Richter. Will Entang, with his distinct depiction of human figures, at times clothed, at times naked, Free dating apps for your phone Arndt Art Agency presents Solo Exhibition of Philippine Artist Kaloy onto themselves for dear life or viscera loosely reaching out to other life forms, have a lesson to teach Richter, in all of his psychedelic depiction of the world?
Please click here to view a list of exhibited works. For any further information or press images, please contact Mariko Owen mariko arndtberlin. September17 — 22 Uhr: September16 — 18 Uhr: The majority of the 10 to 15 young artists will be presenting their works for the first time at an internationally established gallery.
With the exhibition, ARNDT is not only providing a venue for budding artists in one of Europe's most vibrant cities, the gallery is also once again underscoring its commitment to Berlin: I would like to share the successes we have experienced over the Free dating apps for your phone Arndt Art Agency presents Solo Exhibition of Philippine Artist Kaloy 20 years with the next generation of artists and discover and promote the futures of these talented people.
Friday, September 6,5 pm — 10 pm: Saturday, September 14,4 pm — 6 pm: Academy and the Market Many of the young artists have to wait until after they graduate before they make their first contact with the art market. During their studies, there are very few activities or projects promoting cooperation with the art schools available that give students a chance to experience the art market for the first time. To what extent should businesses be allowed to interfere with What is the best username for a dating site creative process in the "protected" environment offered by the university?
Jan Kage Panel Guests: Testing the limits of his physical and mental endurance, Mike Parr has cut, branded, stitched, burned and nailed his body in the pursuit of his art. In the fringe zone beyond the reach of the big cities these are peculiarly ambiguous areas with a high proportion of misfits, religious fanatics and down at heel no-hopers. The climate of anti-war protest instilled Parr with a sense of being an outsider challenging authority.
The performances he staged at this time were unique and groundbreaking refutations of the status quo of the Australian visual arts scene. He fused his fascination for the structure of language with his performance work. Self-portraiture has been a consistent element in his practice. He has produced thousands of drawings and prints over the last three decades. Ever since the early s, he has begun his self-portraits in a conventional manner, looking at himself in a mirror and trying to capture a likeness.
As the drawing progresses it triggers a memory of a time, a place or an idea, and Parr lets his pencil or etching tool run free in an attempt to record a concept related to the work. I labor away intensively with the interesting possibility of a portrait emerging and then I start to remember something and it will come to me in the entanglement of line.
It made me very nostalgic for my childhood, though not Free dating apps for your phone Arndt Art Agency presents Solo Exhibition of Philippine Artist Kaloy pretty, but I was particularly longing for that time spent playing outdoors.
So the fabric 'playhouse' I constructed to house the painting is about living within the safety of a structure and yet integrated with the outdoors. The painting and tent also serve as a vehicle for not only recalling but fabricating memories as well, creating fantasies that are closely woven into my desires, a summation of the past, present and future.
In the art world of the Philippines there were - and continue to be — several clear and often opposing tendencies: Geraldine Javier has responded against all these tendencies to create a complex and dynamic body of work.
Images of rural life and nature recur in her work, but are far from reassuringly comfortable. What she takes from the social realists is a concern with painting things and Free dating apps for your phone Arndt Art Agency presents Solo Exhibition of Philippine Artist Kaloy well, but her position is a more personal one - one that may be defined more as moral than political, and as implicit rather than explicit. An intuitive artist rather than a theoretically driven one she has nevertheless been profoundly affected by studying under conceptual artists.
After a childhood in the provincial town of Candelaria she left for Manila where she spent five years studying to be a nurse before enrolling at the art school of University of Philippines UP.
Her childhood had been characterised by a delight in play and nature but also. Death, she remarks, she was always curious about. Photographs are important sources and tools in her work process for the paintings. Things are often about to happen or have happened in Free dating apps for your phone Arndt Art Agency presents Solo Exhibition of Philippine Artist Kaloy paintings. They are Problem Pictures: They are open ended.
She had always used thread in her collages but from she began to add embroidery to the paintings. Other elements, collaged, embroidered or sculptural, began to colonise her paintings. This exhibition is perhaps an important landmark for her as paintings, objects and installations are not presented separately, but as organically blended together in five works. Moreover, the whole exhibition is conceived and should be experienced as a larger entity.
The tents, all of them covered with hammered leaves, in which the five paintings are sheltered act as refuges for other objects. Tucked behind the paintings for the curious to find they may seem to be secrets of the imagination or the memory. All figures in her paintings are grey. Are they made of stone or are they ghosts? Strangely it is something many viewers do not notice immediately or even at all. Grisaille is a distancing device for painters, and a way of harmonising a picture.
Used in contrast to colour, black and white can signify from another world, time or state of being. In the exhibition "Bones after Bones: The Shadow" Riyadi attempts to lose the narrative nature in his paintings, and to insert the imagery which he considers to be the essence of violence.
He states that the most haunting image, for his own perception, is the imagery of bone, particularly as an artifact of life, the structural support of human bodies, which in the end remains longest.
This indicates an important leap in his search for aesthetic vision; from narrative to abstract, from realism to essentialism, from representation of popular culture to conceptual reflection. Interestingly, aside Free dating apps for your phone Arndt Art Agency presents Solo Exhibition of Philippine Artist Kaloy his change in form and approach, the issue that still remains is that of domestication. In his work, Riyadi attempts to arrange several bones in the manner of the ornamental motifs of traditional wallpaper.
This arrangement, imitating the repetitive motifs of home decoration, is designed to erase and conceal violence, thus the concept of beauty is contradicted by the representation of violence. Riyadi explains that this contradiction is important when perceiving violent events or forms, which on the one hand must be rejected, but on the other hand are ever-present in daily life, if not always in the shape of physical violence.
Please click here to watch a video of the "Sip! Indonesian Art Today" show in Berlin. The page publication "Sip! The public talk " The last three decades of artistic production in Indonesia: The exhibition presents over 40 works from all artistic mediums, painting, sculpture, installation, photography and film, by 16 contemporary artists from Indonesia.
If we consider their age and career development, the artists here represent 3 generations of contemporary art practice dating back from the late s: While the origin of this word is unknown, it is a word that is used by nearly everyone every day. Like this word, and like the process of our ongoing global culture, we do not question the origin of an idea, but we consider how this idea can continue to grow and contribute to the interaction and civilization of the world.
Whatever the case, the meaning is clear: For more information and images, please contact info arndtberlin. Please click here to download the press release as PDF file English. Please click here to download the press release as PDF Free dating apps for your phone Arndt Art Agency presents Solo Exhibition of Philippine Artist Kaloy German.
Indonesian curators Carla Bianpoen and Rifky Effendy unite with artistic producer Restu Imansari Kusumaningrum to place Indonesia under the cultural spotlight in the 55th edition of the Venice Biennale 1 June - 24 November The Indonesia Pavilion will feature works of contemporary Indonesian artists: In Top free dating sites canada Aras Innovator Demo Series SolidWorks Connector for Aras (27 Minutes) context of contemporary art, the concept of Sakti has been the basis for our curatorial reading of art praxis and has been used as a directive for the aesthetic exploration of the individual artist, who will refer to historical and social aspects as well as the value of local cultural pluralism within the global discourse.
With its overarching concept of Sakti, the Indonesia Pavilion proposes an alternative artistic practice and a new cultural presence in the global art world. Eko Nugroho will bring installation works that featuring bamboo raft with used oil barrels. This raft will be rode several resin figures with several gestures, several heads and clothes that represent restlessness. This idea uses a metaphor of a boat that drifted in the ocean.
Eko sees that what Indonesia people have to deal with, and how they thrived and survived. For him, this is a magical owes. This work touches reality and perception mainly that connect with perspectives seeing Indonesia. Magic and Creative Power at the Venice Biennale. We are pleased to announce our forth show with Anton Henning: Parallel we will show in our viewing room a film by Josephine Meckseper.
As well as a presentation of the work of Erik Bulatov, including a central piece and important drawings will be on view. Following the exhibition will open at the Deichtorhallen Hamburg on 25 February.